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Last updated: 2018, August 1
Total pages: %TOTALURLS% www.suretaker.win Homepage

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Suretaker
- 2008/
- - 06/ 2 pages
  - Suretaker
  - William Morris Society Website Updated
  - 08/ 2 pages
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  - Virginia Woolf's Freshwater to be Presented in New York on 19 November
- 2009/
- - 02/ 2 pages
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  - Tennyson Bicentenary
  - 04/ 2 pages
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  - The Sleeping Beauty: Victorian Paintings—in Madrud
  - 09/ 3 pages
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  - William Morris Society on Facebook!
  - Pre-Raphaelite Society Essay Prize
- 2010/
- - 04/ 2 pages
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  - The Well at the World's End Makes "Top 10" List of Underrated Fantasy
  - 05/ 2 pages
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  - Morris's Calligraphic Masterpieces Exhibition at the William Morris Gallery
- 2011/
- - 01/ 3 pages
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  - Collecting Kelmscott and William Morris on ABE
  - Announcing—The Victorian Poetry Network
  - 08/ 3 pages
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  - 2012 Fellowship in Pre-Raphaelite Studies
  - New William Morris Society Website
- 2012/
- - 02/ 2 pages
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  - 06/ 2 pages
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  - Johanna Lahr (1867-1904)
  - 07/ 2 pages
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  - Socialists at Play
  - 09/ 2 pages
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  - The Late William Morris
- 2013/
- - 01/ 2 pages
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  - MLA Annual Convention: Boston 2013
  - 02/ 2 pages
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  - "The God of the Poor" for Sale
  - 11/ 2 pages
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  - The Killer Wallpaper that Never Was
- 2014/
- - 01/ 2 pages
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  - A Special Viewing of Morris's Famed Albion Press
  - 02/ 2 pages
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  - Morris and 20th Century Vienna
  - 06/ 2 pages
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  - How About a Morris Memorial Walk? A Modest Proposal
  - 07/ 2 pages
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  - Call for Applications: Morris Society Fellowships 2015
  - 08/ 2 pages
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  - C.S. Lewis Defends William Morris
  - 10/ 3 pages
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  - A Mysterious Book
  - "Oxford and Cambridge Magazine " explored by David Taylor
- 2015/
- - 01/ 2 pages
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  - The Reach of William Morris and Co.
  - 04/ 2 pages
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  - The Kelmscott/Goudy Press Prints Again
  - 06/ 2 pages
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  - The Joseph R. Dunlap Memorial Fellowship: Call for Applications
- 2016/
- - 09/ 2 pages
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  - Modern Day “Morrisans”: The Arts & Crafts Press, Tacoma Washington
  - 11/ 2 pages
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  - “Women, Art, and Social Change: The Newcomb Pottery Enterprise”
- 2017/
- - 01/ 2 pages
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  - How the Cat Will Jump: Reading Morris after the Election
  - 02/ 2 pages
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  - Dunlap Award Winner Sarah Leonard
  - 03/ 2 pages
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  - Mark Samuels Lasner: A Genius of Collecting and Connecting
  - 04/ 2 pages
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  - What Would William Morris Think?
  - 06/ 2 pages
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  - Topsy-Turvy: Of Houses, Hair, and Hammersmith
  - 07/ 2 pages
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  - Giving May Morris the Recognition She Deserves
  - 08/ 2 pages
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  - The Enduring Legacy of Willliam Morris
  - 10/ 2 pages
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  - Local Socialism in the Country: Morris and the Recuperation of the Folk Mote
  - 11/ 2 pages
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  - William Morris: Designing an Earthly Paradise
- 2018/
- - 01/ 2 pages
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  - Dunlap Award Winner Shyam Patel
  - 02/ 3 pages
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  - William Morris Society at the Morgan Library
  - The Novel in Marbled Covers
  - 03/ 2 pages
  - Wallpaper and Death
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  - 04/ 2 pages
  - Morris and the Gardens of Spring
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  - 05/ 2 pages
  - Still Relevant: Morris's "Socialist Diary"
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  - 06/ 2 pages
  - Unexpected Encounters with William Morris
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  - 07/ 2 pages
  - Morris in the Thames Landscape
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Dunlap Award Winner Sarah Leonard

The William Morris Society in the U.S. is pleased to award the 2017 Dunlap Fellowship to Sarah Leonard , a Ph.D. candidate in Art History at the University of Delaware. Her dissertation, “‘The beauty of the bough-hung banks’: William Morris in the Thames Landscape,” promises to be an important contribution not only to Morris studies but to understanding of the natural environment in the Victorian era. Here is Sarah's summary of her project: My dissertation investigates the disparate riverside landscapes of the Victorian Thames as dominant presences in Morris’s varied and intertwined roles as designer, author, political thinker, and factory owner. As a lifelong London resident, Morris was most familiar with the polluted, industrialized city Thames. However, he drew visual inspiration from the rural landscape of the Upper Thames around Kelmscott for his famous pattern designs, and he put forward the same landscape as a medievalist and Socialist pastoral ideal in his poetry, novels,

William Morris: Designing an Earthly Paradise

The Cleveland Museum of Art’s new exhibition “William Morris: Designing an Earthly Paradise” opened last month and is scheduled to run through November 11, 2018. The exhibition includes textiles, wallpaper, and carpets; a selection of Kelmscott Press publications; and a May Morris embroidery on loan from the Cranbrook Art Museum. Morris was a famously prolific designer. In the spring of 1876 he wrote to his friend Aglaia Coronio, “I am drawing patterns so fast that last night I dreamed I had to draw a sausage; somehow I had to eat it first, which made me anxious about my digestion: however I have just done quite a pretty pattern for printed work.” Morris was in the midst of one of his most productive periods of textile design, and while we do not know which work this anecdote refers to, it was the year he designed Honeysuckle , an archetypal pattern that shows his love of large mirror motifs. Honeysuckle Textiles—including embroidery, printed cotton

Tennyson Bicentenary

It does seem remarkable that 2009 marks the bicentenary of Charles Darwin, Abraham Lincoln, Edgar Allan Poe, and Alfred Tennyson. (Darwin and Lincoln were, in fact, born on the same day.) Although an exhibition last year sought to explore the ties between Darwin and William Morris, and while Morris's politics and ideals might owe something to Lincoln's, the real connection—for Morrisians at least—is with Tennyson. William Morris was a reader and admirer of the poet laureate; his own early poems owed much to Tennyson in theme and manner; in due course the two men became acquainted; finally, Tennyson's Maud was reprinted by the Kelmscott Press in 1893. There are many events scheudled to mark the Tennyson anniversary, and a full schedule will be found on a site maintained by the Lincolnshire County Council. Two of particular interest are a lecture, on "Morris and Tennyson," by Peter Faulkner, to be given at Kelmscott House in Saturday, 3 March (see 2009 William Mor

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